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My master's track at the New York Academy of Art culminated in much of the relief work you see here. In this thesis, a comic-like montage of personal scenes don't so much unfold as spring to mind within an aptly heavy stone frame. This work aimed less for narrative, and more at the senses — like an unconscious rendering of the moments and feelings that ebb and flow, stop and start, in modern life (and this eternally modern city). 

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Additional pieces include two separate portraits, one on lithograph, and a series of Canadian coins in limestone.